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  Yamaha QL1 Digital Mixing Desk Console

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  • Day Rate

    £175.00 / Day

  • Week Rate

    £525.00 / Week

  QL series consoles offer all-in-one mixing, processing, and routing capability for small to medium scale live sound, corporate speech events and much more. 16A & 13A to powercon I/O 16 inputs & 8 outputs (XLR) up to a maximum of 32 channels Digital I/O 1 Digital out AES/EBU (XLR) Dante Primary & Secondary Ports (RJ45/Ethercon) Control Port (RJ45) Midi In & Out (Midi) Word Clock In & Out (SDI) GPI (General Purpose Input) Width : 468mm x Height: 272mm x Depth: 562mm

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• 

  L’Acoustics 5XT Loudspeaker

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  • Day Rate

    £15.00 / Day

  • Week Rate

    £45.00 / Week

  Description Passive 2-way coaxial enclosure Usable bandwidth (-10 dB) 95 Hz – 20 kHz ([5XT] preset) Maximum SPL1 121 dB ([5XT] preset) Nominal directivity 110° axisymmetric Transducers LF: 1 × 5” weather resistant, bass-reflex HF: 1 × 1” compression driver Nominal impedance 16 Ω Connectors IN: 1 × 4-point SpeakON® and screw terminal LINK: 1 × 4-point SpeakON® and screw terminal Rigging and handling 1 × 3/8” insert for microphone stand 2 × M6 inserts for ETR5 U-bracket IP30

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• 

  L’Acoustics X4i Loudspeaker

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  • Day Rate

    £15.00 / Day

  • Week Rate

    £45.00 / Week

  The power of small 2-way passive, 4" Speaker Max SPL - 116 dB Bandwidth - 120 Hz- 20 KHz Transducers LF : 1 x 4", HF : 1 x 1.4" Weight - 1 kg / 2.2 lb Directivity H: 110° V: 110° NB: Terminates with screw terminals.

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• 

  L’Acoustics SB18 Subwoofer (MATES WITH KARA M BUMP)

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  • Day Rate

    £30.00 / Day

  • Week Rate

    £90.00 / Week

  L-Acoustics subwoofers complement systems in applications where extended bandwidth is required. All subs incorporate high excursion drivers, ultra-low vibration walls and laminar airflow L-Vents with a flared profile, resulting in dramatic reduction of port noise, maximized dynamics and power handling and an exceptional level of performance. L-Acoustics subwoofers can be deployed in diverse modes, making them versatile enough to address any rental or fixed installation application. Engineers and sound designers can choose from standard or cardioid configurations, creating a variety of symmetric and asymmetric directivity patterns adapted to each specific design.

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